Category Archives: Editors

Interview: Callie Stoker, Editor

CallieheadshotAs part of the official launch, I have the privilege of interviewing the talented Callie Stoker, Editor of Secrets & Doors available from Crimson Edge Publishing. Callie is a freelance editor and owner of The Manuscript Doctor.

 

 

 

 

SDSebookCover

Open the door and unlock the secrets in eleven short stories from The Secret Door Society, an organization of fantasy and science fiction authors dedicated to charitable work. All proceeds from this anthology benefit the Juvenile Diabetes Research Foundation in their quest to cure Type One Diabetes (T1D).

In these pages you’ll discover a modern woman trapped in an old fashioned dreamscape, a futuristic temp worker who fights against her programming, a beautiful vampire’s secret mission disrupted by betrayal, a sorcerer’s epic battle against a water dragon, the source of magical mirrors—and more. There are tales for every science fiction and fantasy taste, including new works from award-winning authors Johnny Worthen, Lehua Parker, Christine Haggerty, and Adrienne Monson.

Join us in the fight against T1D as you peek into a world of magical and mysterious doorways—if you dare.

 

In my own history as a reader, I never knew the value of an anthology and rarely picked them up. A collection of short stories gives you a taste of the writing style of many authors and could be the way you find your next favorite, or decide which novels you’re willing to take a chance on. Being one of the authors in this anthology, I know exactly what went into creating my individual piece. The editing process is more of a mystery. I wanted some insights – secrets even – so I sat down with Callie to get all the insider information I could.

Secrets & Doors is an anthology with eleven authors, but your name is the only one on the cover. How does that work?

The decision is ultimately up to the publisher. Some anthologies will include the author’s names on the cover, although that can often result in a busy and confusing image. For this anthology it was decided that a streamlined cover with a beautiful image would sell best, and I think we are all very pleased with the result. The editor is often the driving force behind the creation of an anthology, sending out a call for submissions and choosing from those submissions, and thus usually receives a publishing credit on the cover. The creation process for this anthology was a cohesive and synergistic one. Although my name ended up on the cover, that shouldn’t overshadow the incredible work by the Secret Door Society in writing, polishing, and perfecting their stories. I think we accomplished a lot with this collection and I’m very proud of it.

Tell us about your journey. How did you become an editor?

I started out as a writer! A wonderful group of me and three women expressed an equal desire to write, so we formed a writing group called Once Upon a Keyboard. This was ten years ago and since then, two of the women have been published, I became an editor, and we gained a new member, a copy editor, over a year ago.

My shift from writer to editor is expressed perfectly in my favorite quote by E.B. White, “An editor is a person that knows more about writing than writers do, but has escaped the terrible desire to write.” This fact was a frustration to me early on when my writing buddies would talk about their stories with such passion and I struggled to eke out a plot from a single idea. My passion emerged as I read and critiqued my fellow writers’ work. I was able to see the weakness while praising the strengths. I could clearly define what wasn’t working and put them on the path of how to make it successful.

I’ve spent the last several years intensely educating myself in the craft of writing. I believe that a good editor teaches and instructs while critiquing so that the author is left uplifted and inspired to apply a better understanding of craft to their future work.callielogo

I launched my personal business in 2014 and its success has shown me the current need writers have of an editor that can not only correct punctuation and grammar, but supply individualized instruction based on writing craft.

What goes into editing an anthology?

Anthologies are a collection of short works (stories, essays or poems) tied together by a common theme. It is the editor, often called the curating editor, who sends out a call for stories fitting the theme and reads and selects from the submittals. The curating editor also chooses the order of the stories so that each transition creates the best experience for the reader. Finally, the curating editor takes the lead in the editing process, completing or overseeing the stages of revisal.

What do you like the most about the editing process?

I am unendingly impressed by the creativity of writers. It is often said that there are no more “new ideas,” yet there are also infinite new perspectives on old ideas. I often feel privileged to read a writer’s fledgling ideas and witness as they develop. I love helping the author see how their ideas can be coaxed and nurtured into a successful story by helping them understand what kind of a story they are writing and how to make each scene and each character leap off the page.

Anything you wish you didn’t have to do as an editor?

At times I’ll need to change the tense or point of view of an entire manuscript which can be a little tedious. At the same time, making these changes is extremely satisfying when the end result is a clean draft. Proofreading may be the most tedious of tasks, but there are creative ways to go about it like changing up the font and size of the document to trick your eyes into seeing it for the first time, or reading the manuscript backwards so that you forget the story or the grammar and see only the typos or misspelled words. Sometimes I enjoy mixing up my content editing work with these tasks.

What other projects are you currently working on?

I have an ongoing client list that keeps me always reading and editing. These clients include published authors, unpublished writers, screenwriters, bloggers, and non-fiction writers. I am currently working with a publisher on the second book of a series and look forward to working in the future as a freelance editor for publishers.

Any free advice to any aspiring writers out there?

First: Read. Read. Read. Read your genre. Read outside your genre. Read the greats. Read the current stuff. A big part of storytelling is about story tropes. Tropes aren’t a bad thing, they are a recognized story form and there is a reason they exist: because they are story types that are repeated again and again. When you know the tropes, you are better equipped to treat them correctly in your own writing and to know what has come before and how to build on it. I can promise you that your level of reading will affect the depth of your writing and increase your creativity.

Second: Know what kind of story you are writing. This may seem simple and obvious, but I’m not just talking about genre and demographics (although knowing these is also important). Are you telling an adventure story? A mystery? Is this a character development story or a save the world story? The best tool for discovering this is Orson Scott Card’s M.I.C.E. Quotient. If you don’t know it, learn it. Every story is either a Milieu (Setting), Idea, Character, or Event story, or a mixture of these. When you know the story you are writing you’ll know where to begin and end your story, what conflicts to focus on, and how to create the most satisfying arc for your characters. This is the number one thing I work on with my clients.

Where can readers find you?

Please visit my website, www.themanuscriptdr.com, to see what kind of services a freelance editor can offer. If you are curious about what level of critique could help your own work, you can submit your first chapter through my website for a free sample edit. Perhaps a personal editor is exactly what your writing needs to get you to the next level.

Also find me on Facebook and Google+ as “The Manuscript Doctor” or Twitter @themanuscriptdr

Check out my writing group’s website, www.onceuponakeyboard.com. We’ve compiled the best articles, links, videos and podcasts on writing advice. We’ve done the research so you can do the writing.

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If you’d like to pre-order your copy of Secrets & Doors, you can do so at the following links.

Paperbook: https://www.createspace.com/5209804

eBook: http://www.amazon.com/dp/B00SNUZYGE


Halfway there check-in

What is it with November? Do I get sick every year coincidentally or is it a side-effect of NaNoWriMo? It is week three and I’m behind because week two – the dreaded week two – had me sick and unmotivated. Week one went splendidly and I was on track for the minimum recommended word count. Week two, I penned in the couple of hundred of words a day range instead of the thousands that I needed – if I wrote at all. Now I’m thousands of words behind.

I could wallow but the real goal is to revise this novel so I’m focusing on the fact that I’ve written seventeen thousand words toward that. I’m still plugging along and loving this revision process. I know exactly what the ending looks like, and exactly what I need to be writing toward from the beginning. I know what needs to be foreshadowed, and what motivates my characters. Most of them, anyway. About half of what I’ve written is brand new stuff because I added supernatural elements and changed the story in fundamental ways. It’s been fun, even if it’s been exhausting. I could definitely get used to this revision thing thanks to having a fabulous developmental editor I can employ as soon as the first draft is written.

See you on the flip side of November… win or lose I’m sure to be sleep deprived and highly caffeinated but loving every minute.


Embarking on Revisions – and why I’m a big fat liar

Game on for NaNoWriMo 2014! Wait, what? I know. Right now you think my addiction is showing and pray that I get some help after my confession just ten short days ago. But let me explain…

When I set out last year to write my second novel, I swore it would be the one that I figured out the fearful and overwhelming process of Revisions with. All of 2014 so far has been devoted to just that. What I didn’t know, is that after I employed the services of a developmental editor it would be necessary to re-write basically every scene. Every. Single. One. Oh, and add in more of course and layer in more elements that are still missing.

My editor is phenomenal. Sometimes I hate what she tells me but it is always spot on. Seriously, if you’re a writer and you haven’t found an editor you trust then you have a moral imperative to find one. After ten years of working together, I know I can trust her not to lead me astray. (She is for hire, if you’re in need.)

I got my edits back a couple of days ago, had a meeting with her (on our yoga mats, it was beautiful) and hashed out the big things that need to be tackled. I came away knowing that while I am not writing a new story this November I’ll be completely re-writing my current one. I may as well use the website tools to track my progress and milestones and keep me on track and motivated for the entire month. Does it make me any less of a NaNo’er that I am writing 50K works of a story I’ve already hashed out? It might, but I don’t care. I will donate to cover the costs of my usage and my conscience will rest easy about my little white lie.

Holy shit, I have 11 days to prepare! And lots of questions still unanswered. Better get brainstorming… If you need me I’ll be re-visioning. Otherwise known as re-writing. There’s still time to join me and all the other November novelists at www.nanowrimo.org