I did an interview with Kathryn Elizabeth Jones. Check it out HERE. It was a fun interview and I thank Kathryn for having me!
Tag Archives: writing tips
Thank you to the folks at Operation Awesome who let me visit and share a previous article with their readers. If you’re looking for inspiration for all kinds of writing topics, drop in and visit them.
Here’s a link to my Guest Post.
Why Every Fiction Writer Should Be Writing Short Fiction
I know you. You’re a novelist, an aspiring writer of the next great novel. Forging ahead through the jungle of self-doubt and rejections. I know, because I am just like you. Only I found a shortcut to success in the most unlikely of places: writing short stories.
Short fiction is an amazing avenue—even for those of us novelists who would never dream of writing short stories. Online magazines beg for content. Open calls for anthology submissions abound, hoping to find the next great thing. Many small presses use quarterly anthologies to find new novelists to sign. Flash fiction sites boast daily publishing for readers who want their fiction in tiny snippets. Land any one of these opportunities and that query for your novel just gained legitimacy—the kind that only comes from publishing credentials.
Opportunities aside, the best reason for aspiring writers and seasoned veterans alike is short stories hone your writing craft. Beginning novelists can take years to complete a first draft, then must repeat the process multiple times to polish their skills enough to land a publisher or sell well in today’s indie market. Why not learn all that on a microcosmic scale instead? Take months, not years, to learn the same lessons.
Can you never get from the dreaded middle to a neatly wrapped up ending? Write a short story. Do you struggle with dialogue? Write a short story using only dialogue. Not sure if you can pull off first-person present tense? Try it out on a short story. Do you avoid the overwhelming, often dreaded, prospect of editing your work? Write a short story, then edit multiple times to perfect it. My first published story went through eleven drafts. Imagine the time that would have taken with a novel! But once you’ve acquired these skills in an accelerated way, you can apply the experience gained to your longer fiction.
Veterans can use short fiction to further refine established skills. My editor’s favorite question is this: Does your writing do more than one thing at a time?
For example: The pendant hung from Susan’s neck where it always did. She loved the intricate scrollwork surrounding the pearl in a starburst pattern. She walked down the street, worrying about the events of the morning. Three sentences, thirty-four words.
Instead of separate sentences describing the pendant and the action, an experienced writer will combine the two: Susan eyed the storm clouds, thumbnail caught in the scrollwork of her mother’s starburst pendant like it always did when she was worried. One sentence, twenty-three words.
In that single sentence, we have tone, setting clues, action, and description. Plus, this shorter version shows us a characteristic when she’s worried, instead of breaking the cardinal rule of telling us she’s worried. Writing succinctly will set you apart in the eyes of readers and acquisition editors alike.
When you can write with an economy of words, stripped of the superfluous, your writing at any length will be more compelling. Use these benefits of short fiction, perfecting your own voice in the process, and your fiction writing overall will be improved.
Setting the Scene in a Small Piece
Let’s talk short fiction for a minute. I learned so much about writing any length piece by writing short stories. For the Secrets & Doors blog tour, each author is discussing an aspect of writing. Writing is far more difficult when each sentence must do more than one thing since you can’t devote an entire sentence to each aspect of the writing. The old adage of “choose your words wisely” applies especially to short fiction. Set a tone, build characters, set the stage, provide necessary information for the reader to move the plot forward – all of these can be done with an economy of words.
Reflection is a sci-fi dystopian story where the people of Earth have been living on another planet after fleeing a threat that is still searching for them. In order to protect themselves, they hid the truth in rules that over generations have become folklore and superstition. It was originally written as a novelette at eight thousand words. Far too long for the submission guidelines for this project. Cutting more than half the words while conveying an alien world and telling the story was challenging. When setting this particular scene, I found it most effective not to point out every detail but, instead, to note those things that were different from our world. The sky that isn’t blue, the absence of tall mountains, and that it rarely rains become significant. Contrasting these differences with what the reader knows already from his own experience highlights them, creating the backdrop of the story.
Choosing your words wisely is true in individual scenes as well. I am a novel writer which means I can use lots of words. But I don’t have to. Instead of saying he turned and picked up a box, he just picked it up. My writing group called me Verbose Girl because in the early days I had a tendency to write a lot to make sure I fully explained every detail. It didn’t always translate to the reader as I wanted it to. The truth is, even novel writing is better when you use an economy of words like a smaller piece. The last thing you want is your reader to get bogged down. The tighter the language, the more engrossing the story becomes.
The Art of Combat – with Joshua Robertson
Today I have the pleasure of hosting Joshua Robertson, author of the upcoming Melkorka from Crimson Edge Publishing. I asked him to share some writing tips and he was nice enough to oblige. Thanks, and welcome, Joshua!
The Art of Combat
In younger years, I always thought that R.A. Salvatore was the master of writing fight scenes. If you have not read his works, I would suggest starting with Homeland, Book 1 of the Dark Elf Trilogy, featuring the legendary Drizzt. This fantasy author presents combat so well that it appeared to naturally flow in his novels in the same way that other storytellers would write about the scenery. When I think of exceptional fighting in novels, I still think of Salvatore.
Those that have read my novels tell me that I share this strength in my writing. If anything, I assume that this comes from years of playing tabletop RPGs, combat-oriented video games, and sparring with my brother throughout the years. I will leave it to the fans to decide how well I actually execute combat in my novels. However, I wanted to take an opportunity to share just a few tidbits on improving your written combat. My disclaimer to these tips is that I don’t always follow the rules. Sometimes, it is important to intentionally neglect them to capitalize on something within a scene…and sometimes, I simply forget. In any case, it is good to keep these concepts handy!
Keep It Quick
A fight scene is supposed to be fast paced and tense for the character. This is not the time to be explaining how the horizon melds perfectly against the tree line. You want to keep the language in the book glued to the fight scene when it is taking place, while maintaining a flow that does not make it confusing for the reader. What do I mean by that? The English language can be molded in many ways to enhance your writing. Changing passive sentences to active sentences will change the entire feel of a fight. However, I think the easiest rule to begin with is to cut your adjectives and adverbs. They slow the reading process and destroy the emotional feel that most authors believe them to enhance.
John fiercely thrust his serrated sword forward and quickly pierced through the knight’s armor. [or] John thrust his sword through the knight’s armor. You get the idea. One example gives a fancy visual for speculation where the other pushes the reader into the next line of action. Combat is a time for action.
Another quick tip, if the terrain is an important element for the combat, then you must set it up in a previous scene or prior to the combat. Good writers will lay the groundwork well in advance of when it is actually needed.
Suspense is your friend. Take any great fantasy novel and know that you are spending the first hundreds of pages preparing for a climatic end that may only last a few pages [or paragraphs] at the end. One of my beta readers for Melkorka shared with me that this was an element of the novel that kept him turning the pages. And, even at the end of the novel, he was yearning for more.
In reality, most fights do not last long. Anyone else watch UFC in their spare time? A couple of minutes and the entire conflict is over. You may watch commercials the entire week prior to the fight, and then watch someone be beat to a pulp for 45 seconds. The trick for the fantasy writer is having this also be reflected in the novel. Well-structured suspense is what makes that fight scene great.
Your readers will lose interest if they cannot visualize the scene or the characters placement. It is not everything, but it is important to know your battleground. I have done fighting scenes many ways. I have used maps, figurines, or even danced around my house to practice different maneuvers with swords and whatnot. The author has to know what is going on in order to tell the reader what is happening.
Without being too stereotypical, fantasy has long been a genre for nerds and geeks. As you may have guessed that we within the nerd community have certain expectations. We like things to be realistic within the guidelines of the genre. Sure, magic exists – but there are certain rules and properties it has to follow, right? Fights, including pure physical combat, also have rules to follow, such as force and leverage. You will find that readers can forgive some of these mistakes in a well-written novel, but if it is consistently flawed, you will lose your audience. Conducting fight scenes requires the author to conduct research. You have to know the weight of a sword, the reloading rate of a crossbow, the distance a person can jump, and what impact a lance has on iron armor. Then, once you know what you are talking about, write the scene be clear, accurate, and realistic.
One of my biggest peeves in some fantasy novels is fight scenes that have nothing to do with the plot structure or character development. Many times you will find authors that will write fight scenes without any purpose, or they will defend the scene with “This scene is important to demonstrate my MC’s strength and agility.” That, my friends, does not advance the plot. It is filler and confuses readers because they are looking for a deeper connection and how this particular scene ties into the character’s motivations. It is not helpful to open your book with a scene of a character fighting a band of robbers on the side of the road, unless those robbers are an intricate piece of the plot line.
Why is this important? I think the primary reason is that the reader grows to skim your battle scenes, no matter how important they could possibly be. If I am frequently reading about punches, kicks, and parries in the novel, then the combat begins to lose its meaning. I can remember great scenes in Tolkien and Jordan and Sanderson because the motivation of the characters enhanced the fight. There should always be a good reason for combat.
Kaelandur was forged by the Highborn to slay one of their own, Nedezhda Mager. As their slave, Branimir Baran never thought to question his cruel masters until he is forced to take part in the execution. His actions begin a chain of events that will lead him to confront demons, cannibals, and himself as he is forced to question his own morality and the true meaning of good and evil.
Book One of the dark fantasy series, Thrice Nine Legends, available on Amazon January 2015.
Joshua began crafting the world for Melkorka in 1999, and has since continued writing flash fiction, short stories, poems, children’s books, and epic fantasy novels. Joshua is the author of the transitional children’s book, Bo Bunny and the Trouble. He is also the co-creator of the fantasy tabletop game, Thrice Nine Legends, due to be released in 2015. Joshua currently lives in Alaska with his wife and children.
You can find Joshua at the following links:
Crimson Edge (Melkorka Ebook available for Pre-Order Now)