Check out this very insightful interview over at Amy Bank’s blog today.
It was fun to be the author interviewed rather than doing the interview (and hoping someday someone would want to interview me). Thanks for having me, Amy!
I’ve gotten good at living in the moment and appreciating every day as if it might be my last, each milestone a cause for pause and celebration no matter how small. I turned another year older in January which marks the third birthday that almost wasn’t. What a year it’s been on so many fronts.
Being published brings a new level of insanity I had no idea awaited me. Promoting a book is more demanding work than creating the story in the first place. The editing process was a whirlwind and consumed most of the holidays. Now we are neck deep in blog tours and article writing and cross promoting and networking and planning the unofficial release party at LTUE next week. I did more writing in January than any January on record but the majority of production was NOT on my current novel. How to keep up with everything and still continue to produce the next book has become the latest thing I need to learn. Regardless, I wouldn’t trade the experience and the thrill for anything. I have an author page on Amazon. Seriously. Amazon. I still wake up sometimes and forget it is real. I’m published.
This year also brought me a new association of authors and thrust me into the non-profit world. It is an amazing group and my closest friends from my writing group are part of it. Bonus! The group happened to put together a lunch on my birthday. But, I have a demanding day job so I couldn’t make a Wednesday lunch work. I was sad, but that’s life and the day job pays for it so what can you do? Unexpectedly, my calendar opened up and I had the afternoon free so I took it off to celebrate my birthday. It was the perfect lunch full of tiaras, signing each others books, group photos, selfies and raucous conversation certain to make fellow diners uncomfortable. “How many does he have?” “Did she leave him?” “I had to kill her off last night.” I’m certain the fifteen of us all talking over one another was like a tornado in an otherwise subdued setting. We hadn’t all been together since before the holidays and it was a loud reunion. It was the perfect start to my birthday. I sat there in the midst of award winning authors, successful editors, non-profit founders, a lawyer and just plain powerful writers all brought together because of our love of writing. I marvel that they had become my people. I wouldn’t trade them for the world.
I came home to my new business cards in the mail. I’m official! Everything is moving at the speed of light careening me deeper into this life of my dreams. It still feels surreal. If this birthday had been stolen from me back in 2011, none of this would have happened.
For my birthday I got a sparkly “Birthday Girl” tiara from one of my friends. It started with a mention and snowballed into a new thing we do. Writing fueled by a tiara on your head. All the most bad-ass chick writers I know are doing it. Enough of us we’ve formed a collective. I may or may not have more than one. I’ll never tell! Maybe this is the key to figuring out how to promote and create at the same time. (How did I ever write in solitude before?)
The best and most freeing part of this birthday that almost never was is owning the new number proudly. I am forty-three. Something about being faced with the real possibility of never seeing the number get bigger than thirty-nine makes it much more of a celebration to see forty-three. It is liberating not giving a shit what the number is. So many people cringe at the thought of disclosing their true age. I say own it – the alternative to that number getting bigger as we get older is far, far worse. I know FORTY THREE never felt better. I’m loving every minute of this stolen year I am grateful to be celebrating. Here’s to many more to come!
As part of the official launch, I have the privilege of interviewing the talented Callie Stoker, Editor of Secrets & Doors available from Crimson Edge Publishing. Callie is a freelance editor and owner of The Manuscript Doctor.
Open the door and unlock the secrets in eleven short stories from The Secret Door Society, an organization of fantasy and science fiction authors dedicated to charitable work. All proceeds from this anthology benefit the Juvenile Diabetes Research Foundation in their quest to cure Type One Diabetes (T1D).
In these pages you’ll discover a modern woman trapped in an old fashioned dreamscape, a futuristic temp worker who fights against her programming, a beautiful vampire’s secret mission disrupted by betrayal, a sorcerer’s epic battle against a water dragon, the source of magical mirrors—and more. There are tales for every science fiction and fantasy taste, including new works from award-winning authors Johnny Worthen, Lehua Parker, Christine Haggerty, and Adrienne Monson.
Join us in the fight against T1D as you peek into a world of magical and mysterious doorways—if you dare.
In my own history as a reader, I never knew the value of an anthology and rarely picked them up. A collection of short stories gives you a taste of the writing style of many authors and could be the way you find your next favorite, or decide which novels you’re willing to take a chance on. Being one of the authors in this anthology, I know exactly what went into creating my individual piece. The editing process is more of a mystery. I wanted some insights – secrets even – so I sat down with Callie to get all the insider information I could.
Secrets & Doors is an anthology with eleven authors, but your name is the only one on the cover. How does that work?
The decision is ultimately up to the publisher. Some anthologies will include the author’s names on the cover, although that can often result in a busy and confusing image. For this anthology it was decided that a streamlined cover with a beautiful image would sell best, and I think we are all very pleased with the result. The editor is often the driving force behind the creation of an anthology, sending out a call for submissions and choosing from those submissions, and thus usually receives a publishing credit on the cover. The creation process for this anthology was a cohesive and synergistic one. Although my name ended up on the cover, that shouldn’t overshadow the incredible work by the Secret Door Society in writing, polishing, and perfecting their stories. I think we accomplished a lot with this collection and I’m very proud of it.
Tell us about your journey. How did you become an editor?
I started out as a writer! A wonderful group of me and three women expressed an equal desire to write, so we formed a writing group called Once Upon a Keyboard. This was ten years ago and since then, two of the women have been published, I became an editor, and we gained a new member, a copy editor, over a year ago.
My shift from writer to editor is expressed perfectly in my favorite quote by E.B. White, “An editor is a person that knows more about writing than writers do, but has escaped the terrible desire to write.” This fact was a frustration to me early on when my writing buddies would talk about their stories with such passion and I struggled to eke out a plot from a single idea. My passion emerged as I read and critiqued my fellow writers’ work. I was able to see the weakness while praising the strengths. I could clearly define what wasn’t working and put them on the path of how to make it successful.
I’ve spent the last several years intensely educating myself in the craft of writing. I believe that a good editor teaches and instructs while critiquing so that the author is left uplifted and inspired to apply a better understanding of craft to their future work.
I launched my personal business in 2014 and its success has shown me the current need writers have of an editor that can not only correct punctuation and grammar, but supply individualized instruction based on writing craft.
What goes into editing an anthology?
Anthologies are a collection of short works (stories, essays or poems) tied together by a common theme. It is the editor, often called the curating editor, who sends out a call for stories fitting the theme and reads and selects from the submittals. The curating editor also chooses the order of the stories so that each transition creates the best experience for the reader. Finally, the curating editor takes the lead in the editing process, completing or overseeing the stages of revisal.
What do you like the most about the editing process?
I am unendingly impressed by the creativity of writers. It is often said that there are no more “new ideas,” yet there are also infinite new perspectives on old ideas. I often feel privileged to read a writer’s fledgling ideas and witness as they develop. I love helping the author see how their ideas can be coaxed and nurtured into a successful story by helping them understand what kind of a story they are writing and how to make each scene and each character leap off the page.
Anything you wish you didn’t have to do as an editor?
At times I’ll need to change the tense or point of view of an entire manuscript which can be a little tedious. At the same time, making these changes is extremely satisfying when the end result is a clean draft. Proofreading may be the most tedious of tasks, but there are creative ways to go about it like changing up the font and size of the document to trick your eyes into seeing it for the first time, or reading the manuscript backwards so that you forget the story or the grammar and see only the typos or misspelled words. Sometimes I enjoy mixing up my content editing work with these tasks.
What other projects are you currently working on?
I have an ongoing client list that keeps me always reading and editing. These clients include published authors, unpublished writers, screenwriters, bloggers, and non-fiction writers. I am currently working with a publisher on the second book of a series and look forward to working in the future as a freelance editor for publishers.
Any free advice to any aspiring writers out there?
First: Read. Read. Read. Read your genre. Read outside your genre. Read the greats. Read the current stuff. A big part of storytelling is about story tropes. Tropes aren’t a bad thing, they are a recognized story form and there is a reason they exist: because they are story types that are repeated again and again. When you know the tropes, you are better equipped to treat them correctly in your own writing and to know what has come before and how to build on it. I can promise you that your level of reading will affect the depth of your writing and increase your creativity.
Second: Know what kind of story you are writing. This may seem simple and obvious, but I’m not just talking about genre and demographics (although knowing these is also important). Are you telling an adventure story? A mystery? Is this a character development story or a save the world story? The best tool for discovering this is Orson Scott Card’s M.I.C.E. Quotient. If you don’t know it, learn it. Every story is either a Milieu (Setting), Idea, Character, or Event story, or a mixture of these. When you know the story you are writing you’ll know where to begin and end your story, what conflicts to focus on, and how to create the most satisfying arc for your characters. This is the number one thing I work on with my clients.
Where can readers find you?
Please visit my website, www.themanuscriptdr.com, to see what kind of services a freelance editor can offer. If you are curious about what level of critique could help your own work, you can submit your first chapter through my website for a free sample edit. Perhaps a personal editor is exactly what your writing needs to get you to the next level.
Also find me on Facebook and Google+ as “The Manuscript Doctor” or Twitter @themanuscriptdr
Check out my writing group’s website, www.onceuponakeyboard.com. We’ve compiled the best articles, links, videos and podcasts on writing advice. We’ve done the research so you can do the writing.
If you’d like to pre-order your copy of Secrets & Doors, you can do so at the following links.
I was going to write a big post about what is happening with my story in the anthology* releasing next month. But, then the publisher wrote this great article. I’m just going to point you all to it so you can hear directly from the source.
It has been such an honor to be part of this project with The Secret Door Society. There are amazing stories for everyone to enjoy and we get to help in the cause for a very common but terrible disease.
Next up: the cover reveal sometime next week! Stay tuned…
*Anthology = a fancy term for a collection of short stories. A great way to sample the work of many authors to determine if you like their style enough to pick up an entire novel.